Back to the top
zooming-background

News

Latest Updates and Reviews

SATURDAY, 11th NOVEMBER 2017

Chichester Cathedral – 7.30 pm

BOOK TICKETS

Giuseppe Verdi’s choral masterpiece never fails to appeal, especially the tumultuous Dies Irae. For this concert on Remembrance Day, November 11th, we have a terrific team of soloists lined up – led by one of our very favourite singers, soprano Claire Seaton.

Giuseppe Verdi poured operatic drama into his Requiem, written in 1874 in memory of his friend Alessandro Manzoni.
Continue reading

34

Another year of fantastic concerts has come and gone, encompassing established classical and romantic works by major composers, the first performance of a newly-commissioned work by Peter White, a terrific tour to Spain and culminating in the huge fun that we had with jazz and spiritual musical idioms (as well as singing unaccompanied Whitacre) in our June concert.

But now a new season beckons and the fare awaiting us is just as varied and tasty. First up will be one of many people’s favourites (singers and audience alike – if not percussionists who have to limber up to aim mighty swipes at a large bass drum!) Verdi–Requiem. For this concert on Remembrance Day, November 11th, we have a terrific team of soloists lined up – led by one of our very favourite singers, soprano Claire Seaton.

At Christmas we return to St. Paul’s Church for a concert of seasonal music, including Christus natus est, which the politically correct amongst us will be delighted to see is not only a contemporary work but also by a female composer, Cecilia McDowall! To support our singing in this concert, we will have the lovely soprano Harriet Eyley and the assorted twenty fingers/thumbs and four feet of Richard Barnes and Tony Froggatt – the former now fully re-equipped with new joints and raring to go.

Our March 2018 concert combines the much-loved music of Handel with the truly beautiful and expressive mid-20 century setting of the Requiem words by Duruflé, and we have also found space in this programme to include a short work, Hear my words, ye people, by English composer Parry (he of Jerusalem and I was glad fame) to mark the centenary of his death in 1918.

On Saturday May 12 , we will be holding another Singing Day in Oving Jubilee Hall, which is an excellent chance for us all to have some choral fun and also introduce friends and acquaintances who do the choral thing to the joys of The Chichester Singers.

And then we really ‘go big’ for the culmination of our 2017-2018 season, with Walton–Belshazzar’s Feast, for which we will combine with my other choir, Guildford Choral Society, to perform in Guildford Cathedral. In addition to the great Walton masterpiece (which some of you may have heard at the Proms in early August) we will also sing Vaughan Williams–Five Mystical Songs and enjoy between these works Elgar–Cello Concerto,with Pavlos Carvalho as solo cellist. And (very temporarily) forsaking our very good friends the Southern Pro Musica for this grand concert, we will be accompanied by the very distinguished Royal Philharmonic Orchestra (RPO).

Get all the concert dates and key rehearsals into your diaries – you will so regret it if, for any reason, you find yourself unavailable for any of these lovely concerts.

Jonathan

5

At the start of the second week of the Festival of Chichester, the Chichester Singers produced their concert, which had been prepared so as to suit the Festival.  For those who have been attending the Singers’ concerts for some years, the programme was full of surprises.  There was no major work by a famous classical composer, but rather a number of pieces by contemporary musicians, the men of the choir had taken off their black dinner jackets and appeared in shirt sleeves, there was only one soloist and there was no orchestra.  But, reliably as ever, the music making was good.At the start of the second week of the Festival of Chichester, the Chichester Singers produced their concert, which had been prepared so as to suit the Festival.  For those who have been attending the Singers’ concerts for some years, the programme was full of surprises.  There was no major work by a famous classical composer, but rather a number of pieces by contemporary musicians, the men of the choir had taken off their black dinner jackets and appeared in shirt sleeves, there was only one soloist and there was no orchestra.  But, reliably as ever, the music making Continue reading

11

For their latest concert, The Chichester Singers produced a programme with a variety of little-known works, most of which were based on instrumentation by organ and brass only. However, the first, and best known work was the totally unaccompanied set of choral pieces known as Rachmaninov’s Vespers. This presented a major challenge to the Singers, as not only was there no instrumental accompaniment to help them find their notes, but also the work was sung in Russian. The choir rose to the challenge admirably and delivered a fine performance of the work which evoked the feeling of Orthodox chants in a religious building. Despite the language, the sound in the Cathedral was decidedly English, and was dominated by the female voices, which were particularly sweet and clear. The basses sang manfully and produced very satisfying crescendos with their series of alleluias but lacked the sonorous sound of true Russian basses. On the other hand, a tenor in the choir (Martin Ridley) sang the short solo in the Nunc Dimittis in a splendidly Russian style.
Continue reading

12

On a bitterly cold evening in January, how wonderful to hear this dramatic retelling of the familiar Creation story with the The Chichester Singers and Southern Pro Musica, conducted by an inspirational Jonathan Willcocks.  The audience were warm with appreciation even if the air was freezing.  The infectious music of Haydn and his colourful instrumentation depicting God in the very act of creation was brought to life vividly by the excellent orchestra, disciplined chorus and professional soloists, Margaret Ravalde, Thobela Ntshanyana and Kieran Rayner.
Continue reading

5

Vaughan Williams – Overture “The Wasps”
Peter White – Te Deum
Vaughan Williams – The Lark Ascending
Vaughan Williams – Hodie

There was some brave programming for the Chichester Singers’ concert on 12th November.   Not only were there four works in the programme but one was a cantata by Vaughan Williams which is not often performed, and another was a completely new choral work that the Singers had commissioned for this concert.  Chichester audiences are fairly conservative and are cautious about going to listen to modern music, so it was no surprise to see a number of empty seats in the cathedral for this event.  But it was an excellent concert, the Singers and orchestra were in fine form and gave enjoyable performances of the unfamiliar works.
Continue reading

11

For us all there are familiar landmarks that herald the passing seasons (tinsel appearing in shops as Christmas approaches, supermarkets desperately flogging off over-stocked chocolate eggs when Easter has just gone by etc etc) and for me I always know that it is early August when Jill starts pestering me for an article about the coming season for the choir.

But any slothfulness that I may feel is quickly dissipated when I remind myself of what there is in store. For the 2016-17 season we have a great series of concerts to prepare for, with repertoire ranging from the 18th to the 21st centuries and the additional dimension of the tour to Spain as well. Every one of the great choral masterpieces of the past began as an unknown piece receiving its first performances, often made possible as commissioned music. Continue reading

4

Brahms – Academic Festival Overture
Brahms – Nanie and Alto Rhapsody
Elgar – The Music Makers

Performed as part of this year’s Festival of Chichester, the Chichester Singers and Southern Pro Musica, under the direction of Jonathan Willcocks, came together for a programme comprising works by Brahms and Elgar, their composition spanning about 50 years.

The programme opened with Brahms’ Op.80 Academic Festival Overture, written as a result of the composer being bestowed with an Honorary Doctorate in Music from the University of Breslau. This is one of Brahms’ most boisterous works, (in marked contrast to the companion Tragic Overture, which will be performed by the Chichester Symphony Orchestra on 16th July) the work being peppered with various well-known student drinking songs! The forces of the Southern Pro Musica under Jonathan Willcocks gave a performance that was full of character and vigour, and the overture ended with an unexpected but hearty rendition of Gaudeamus Igitur from the Chichester Singers towards the end of the piece.
Continue reading

5